Maps of Music
"Heroes" (1977)
Where the lyrics of "Heroes" take you, and where it was really made.
The only Berlin Trilogy album recorded entirely in Berlin was made in a former concert hall about 500 yards from the Berlin Wall.
View on the mapKey places
Hansa Studio 2, the former concert hall by the Wall (1977)
Recording site Hansa Studios — Bowie, Visconti and Eno regrouped at this studio in West Berlin to record the album. The room was a former concert hall, converted into a recording studio. Google Maps · Apple Maps
How to get there: See the map for directions.
Final mixes at Mountain Studios, Montreux (1977)
Recording site Mountain Studios — The final mixes of the album were done at this studio in Montreux, Switzerland. The studio later became one of Bowie's mainstays. Google Maps · Apple Maps
How to get there: See the map for directions.
Cover photo shot at Harajuku Studios, Tokyo (1977)
Album cover Harajuku Studios — The cover photo was taken at this studio in Tokyo in April 1977 by Masayoshi Sukita. The cover echoes Erich Heckel's painting Roquairol. Google Maps · Apple Maps
How to get there: See the map for directions.
Album story
Overview
- "Heroes": twelfth studio album by David Bowie
- Released 14 October 1977 on RCA Records
- Recorded with Brian Eno, produced with Tony Visconti
- Second release of the Berlin Trilogy, after Low (January 1977)
- The only Trilogy album recorded wholly in Berlin
- Title track chosen as lead single, released 23 September 1977
Background
- In the second half of 1976, Bowie and Iggy Pop moved to the Château d'Hérouville in France to escape the drug culture of Los Angeles
- Bowie produced Pop's The Idiot there and recorded Low
- Low was released in January 1977 with little promotion; Bowie toured as Pop's keyboardist
- Bowie and Pop recorded Lust for Life at Hansa Tonstudio in West Berlin, May to June 1977
- Sessions for "Heroes" took place in mid-1977, after Bowie finished Lust for Life
- Bowie wanted to begin the next record once Lust for Life was finished, and spent a few weeks with Eno devising concepts before Visconti joined
Recording
- Most of the album used the same personnel as Low: Carlos Alomar, George Murray and Dennis Davis as the core band
- Robert Fripp joined on lead guitar, recruited at Eno's suggestion
- Fripp recorded all his guitar parts in three days
- Most tracks were composed on the spot in the studio
- Lyrics were not written until Bowie stood in front of the microphone
- Eno was credited as co-author on four of the ten songs
- Eno's Oblique Strategies cards were used on the instrumentals
- Final mixes were done at Mountain Studios in Montreux, Switzerland
Cover
- Photo by Japanese photographer Masayoshi Sukita at Harajuku Studios in Tokyo, April 1977
- Cover nods to Erich Heckel's painting Roquairol, as Iggy Pop's The Idiot did
Sources: en.wikipedia.org
Tracklist
| 1 | Beauty and the Beast | 3:36 |
| 2 | Joe the Lion | 3:07 |
| 3 | “Heroes” | 6:10 |
| 4 | Sons of the Silent Age | 3:19 |
| 5 | Blackout | 3:49 |
| 6 | V‐2 Schneider | 3:11 |
| 7 | Sense of Doubt | 3:58 |
| 8 | Moss Garden | 5:05 |
| 9 | Neuköln | 4:35 |
| 10 | The Secret Life of Arabia | 3:47 |
Sources: musicbrainz.org
Artist
Early life
- Born David Robert Jones on 8 January 1947 in Brixton, London.
- Studied art, music and design; took up saxophone in 1961.
- Adopted the stage name David Bowie in 1966 to avoid confusion with Davy Jones of the Monkees.
Career
- Breakthrough with "Space Oddity" in 1969, reaching the UK top five.
- Glam rock success in 1972 with the Ziggy Stardust persona and album.
- Berlin Trilogy (Low, "Heroes", Lodger) with Brian Eno and Tony Visconti in the late 1970s.
- Greatest commercial success with Let's Dance in 1983.
- Fronted the hard rock band Tin Machine from 1988 to 1992 before resuming a solo career.
- Final studio album Blackstar was released two days before his death in 2016.
Legacy
- Sold over 100 million records worldwide.
- Inducted into the Rock and Roll Hall of Fame in 1996.
- Widely regarded as one of the most influential musicians of the 20th century.
Sources: en.wikipedia.org
Reception
At release
- Melody Maker: Allan Jones described it and its predecessor as among the most challenging records released
- NME: Angus MacKinnon called it Bowie's most moving performance in years, praising the growing maturity of the artist
- Record Mirror: Tim Lott called the album disjointed and a disappointment apart from the title track
- Billboard: a reviewer called it an extension of Bowie's cosmic rock vision and of Low
- Los Angeles Times: Robert Hilburn called it one of the artist's least arresting turns
- Creem: Trixie A. Balm liked side one but dismissed side two
Reappraisal
- AllMusic: Stephen Thomas Erlewine praised the growing artistic maturity compared to its predecessor and the addition of Fripp's guitar
- Pitchfork: Ryan Dombal named it the album that showed the most artistic growth for Bowie
- Rolling Stone: in a 2013 readers' poll it was voted Bowie's eighth best album
- Consequence of Sound: ranked it Bowie's fifth-greatest album
Records
- UK Albums Chart: peaked at number 3, on the chart for 33 weeks
- US Billboard Top LPs & Tape: peaked at number 35, on the chart for 19 weeks
- NME and Melody Maker each named it album of the year for 1977
- Village Voice Pazz & Jop poll: finished 21st for 1977's top album
Sources: en.wikipedia.org
Trivia
- Visconti kept a two-track tape running at all times during sessions, so ideas were not lost
- Visconti described the Berlin Wall setting as provocative, stimulating and frightening, and said the band played with great energy
- Bowie promoted the album extensively with television appearances and interviews, unlike Low
- RCA's slogan for the album was "There's Old Wave. There's New Wave. And there's David Bowie ..."
- "V-2 Schneider" is named after Kraftwerk's Florian Schneider, and Bowie plays an off-beat saxophone part on it
Sources: en.wikipedia.org
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