Maps of Music
Kiln House (1970)
Where the lyrics of Kiln House take you, and where it was really made.
The album is named after two converted hop-drying buildings in Hampshire, and it was made after founder Peter Green had left the band.
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Where Kiln House was recorded (1970)
Recording site De Lane Lea Studios — The band spent two weeks recording Kiln House at De Lane Lea Studios in London. The album was made here after Peter Green had left the band. Google Maps · Apple Maps
How to get there: See the map for directions.
Album story
Overview
- Kiln House: fourth studio album by British blues rock band Fleetwood Mac
- Released 18 September 1970 by Reprise Records
- First album after founder Peter Green left the band
- Last album featuring guitarist Jeremy Spencer
- Christine McVie contributed backing vocals, keyboards and cover art
Background
- Recorded after Peter Green's departure, around his final performance with the band on 28 May 1970
- Remaining members moved to the English countryside with their wives, children and road managers
- Title taken from two converted oast houses called Kiln House, in Truncheaunts Lane, East Worldham, near Alton, Hampshire
- The oast houses had been used for drying hops for beer brewing and were later combined into one building
- The property became a listed building in 1977
- The band leased Kiln House and lived there communally with their families for six months in 1970
- Mick Fleetwood married Jenny Boyd at the house on 20 June 1970
Recording
- The band spent two weeks recording at De Lane Lea Studios
- Christine McVie, then still known as Christine Perfect, lived in Kiln House and took part in the sessions
- She was signed to Blue Horizon as a solo artist, so she could not be credited in the liner notes
- Spencer's retro 1950s homages and parodies dominate the album; Danny Kirwan's songs are almost equally prominent
- Spencer recorded demos on Revox machines and overdubbed multi-track vocal harmonies
- Microphones were placed close to the drums for a sound Mick Fleetwood described as very closed down and tight
Sources: en.wikipedia.org
Tracklist
| 1 | This Is the Rock | 2:45 |
| 2 | Station Man | 5:49 |
| 3 | Blood on the Floor | 2:44 |
| 4 | Hi Ho Silver | 3:05 |
| 5 | Jewel Eyed Judy | 3:17 |
| 6 | Buddy's Song | 2:08 |
| 7 | Earl Gray | 4:01 |
| 8 | One Together | 3:23 |
| 9 | Tell Me All the Things You Do | 4:10 |
| 10 | Mission Bell | 2:32 |
Sources: musicbrainz.org
Artist
Formation
- Formed in London in July 1967 by Peter Green after leaving John Mayall & the Bluesbreakers, with Mick Fleetwood on drums.
- The name combines Fleetwood's surname with bassist John McVie, who joined in 1967.
- Early line-up was primarily a British blues band; "Albatross" reached UK No. 1 in 1968.
Members
- Core members over time: Mick Fleetwood, John McVie, Christine McVie, Stevie Nicks, Lindsey Buckingham.
- Buckingham and Nicks joined at the end of 1974 and drove the band's global success.
Career
- Rumours (1977) is one of the best-selling albums of all time and won the Grammy for Album of the Year in 1978.
- The band has sold more than 120 million records worldwide.
- Received a Hollywood Walk of Fame star in 1979 and was inducted into the Rock and Roll Hall of Fame in 1998.
- Received the MusiCares Person of the Year award in 2018.
- Christine McVie died in 2022; Stevie Nicks later said she saw no reason to continue the band.
Sources: en.wikipedia.org
Reception
At release
- Rolling Stone (J.R. Young): the album was carefully conceived and prepared, and marked a shift from the band's earlier work with Green
- J.R. Young: Danny Kirwan and Jeremy Spencer took up the slack and built a new engine for the band
- Billboard: described the album as a foray into the roots of contemporary rock
- Record World: noted the band's pivot away from blues toward straightaway rock entertainment
- Cashbox: thought the album showed the band's ability to create new and exciting material
- Beat Instrumental: described the band as a mighty fine unit without Green
Reappraisal
- AllMusic (Bruce Eder, retrospective review): the album lacked the intensity of some earlier work with Green
- Eder: the album broadened the band's use of blues into other contexts and added new influences without Green's laser-like focus
- Robert Christgau: rated the album higher than Then Play On
- Christgau: the mansions in their jazzy blues rock and roll guitar heaven were spacier than ever
Records
- UK: peaked at number 39, the band's last top 40 album there until their 1975 self-titled album
- Canada: peaked at number 67 in RPM Magazine, 19 December 1970
- US: peaked at number 69 on the Billboard 200 on 7 November 1970, the band's highest-charting US album up to that point
- At the time, the album was Fleetwood Mac's best-selling album in the US
Sources: en.wikipedia.org
Trivia
- The album title comes from two converted oast houses in East Worldham, near Alton, Hampshire, which had been used for drying hops.
- Christine McVie took part in the sessions but could not be credited on the album for contractual reasons, since she was signed to Blue Horizon as a solo artist.
- Five days before the band was due to leave for its American tour, it asked Christine Perfect to join Fleetwood Mac.
- Spencer's song Buddy's Song is derivative of Peggy Sue Got Married, with new lyrics listing a number of Buddy Holly song titles.
- In 1971 Spencer left the band before a scheduled Los Angeles show; the performance was cancelled when he did not return.
Sources: en.wikipedia.org
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