Maps of Music
Bridges to Babylon (1997)
Where the lyrics of Bridges to Babylon take you, and where it was really made.
The lead single's chorus was found to resemble a 1992 k.d. lang hit, so Lang and co-writer Ben Mink were credited on the new song alongside Jagger and Richards.
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Recording at Ocean Way Studios, Los Angeles (1997)
Recording site Ocean Way Recording — The band arrived in Los Angeles in March 1997 and started recording sessions at Ocean Way Studios. The recording continued until July that year. Google Maps · Apple Maps
How to get there: See the map for directions.
Album story
Overview
- Bridges to Babylon: 21st British and 23rd American studio album by the Rolling Stones
- Released in 1997 through Virgin Records
- Producers include Don Was, the Dust Brothers, Danny Saber, Rob Fraboni and Pierre de Beauport
- Every track was also produced by Mick Jagger and Keith Richards as 'the Glimmer Twins'
- Mixes rock and roll, blues, reggae and electronic music
- Jagger wanted to blend the band's traditional sound with the contemporary styles of the day
Background
- Jagger and Richards began writing together in summer 1996
- Demos followed as they met in New York in November and London the following month
- Another writing session took place in Barbados in January 1997
- Came after the Voodoo Lounge Tour (1994 to 1995) and the album Stripped
- In March 1997 the band arrived in Los Angeles to start recording at Ocean Way Studios
- Recording continued until July 1997
- Don Was produced again, while Jagger sought local producers first
- The Dust Brothers' contributions were cut from five to three, the only Stones songs with sampling
Recording
- Many sessions ran as all-nighters until Richards tired by morning
- Jagger and Richards were kept in separate rooms during work with Was
- Working in a big city let various musician friends of the band contribute
- Four-month production made it one of the band's most concise recording periods in years
Sources: en.wikipedia.org
Tracklist
| 1 | Flip the Switch | 3:27 |
| 2 | Anybody Seen My Baby? | 4:31 |
| 3 | Low Down | 4:24 |
| 4 | Already Over Me | 5:24 |
| 5 | Gunface | 5:02 |
| 6 | You Don’t Have to Mean It | 3:43 |
| 7 | Out of Control | 4:43 |
| 8 | Saint of Me | 5:15 |
| 9 | Might as Well Get Juiced | 5:23 |
| 10 | Always Suffering | 4:44 |
| 11 | Too Tight | 3:32 |
| 12 | Thief in the Night | 5:16 |
| 13 | How Can I Stop | 6:54 |
Sources: musicbrainz.org
Artist
Formation
- Formed in London in 1962 as an English rock band; their first stable line-up was Brian Jones, Mick Jagger, Keith Richards, Bill Wyman and Charlie Watts.
- Jones named the band after a Muddy Waters song; they were rooted in blues and rock and roll.
- Manager Andrew Loog Oldham encouraged them to write their own songs, and the Jagger–Richards partnership became their main creative force.
Members
- Current: Mick Jagger, Keith Richards, Ronnie Wood (joined 1975).
- Former: Brian Jones (died 1969), Mick Taylor (1969–1974), Bill Wyman (1962–1993), Charlie Watts (1963–2021, died 2021).
- Steve Jordan became their drummer after Watts' death.
Career
- Hits included "(I Can't Get No) Satisfaction" (1965), "Paint It Black" (1966) and "Start Me Up" (1981).
- Their 1969 Hyde Park show and Let It Bleed, Sticky Fingers and Exile on Main St. are key points of their career.
- Formed Rolling Stones Records in 1970, whose tongue-and-lips logo became their band logo.
- Inducted into the Rock and Roll Hall of Fame in 1989; the band has sold more than 250 million albums.
Sources: en.wikipedia.org
Reception
At release
- Rolling Stone writer Mark Kemp found most of the album sounded feral without seeming forced, and contemporary without chasing modern-rock trends
- Kemp praised the collaboration with contemporary producers and the new sounds, and singled out three Richards vocal tracks as stronger songs
- NME's Paul Moody praised the 'bizarre brilliance' of 'Saint of Me', 'Thief in the Night' and 'Might as Well Get Juiced'
- Rockpile's Lorraine Gennaro said the record has everything Stones fans have come to love
- Hits said the album has magnitude to match its cover art
- Stereo Review's Ken Richardson considered it the band's best since Tattoo You (1981)
- Entertainment Weekly's Ken Tucker called it a frantic, scattered work and found the latter part of the record strongest
- Select was more positive than toward Voodoo Lounge, with Andrew Perry praising the ballads as uniformly excellent
- Robert Christgau gave a one-star honorable mention
- The Los Angeles Times review was negative, calling the ballad-heavy collection bland
Reappraisal
- AllMusic's Stephen Thomas Erlewine rated it positively and cited its solid, craftsmanlike songwriting
- Tom Hull gave it a B+ when revisiting it in 2018
- Ultimate Classic Rock's Nick DeRiso found it hampered by dated experimentation, though he praised Richards' contributions
- NME ranked it second-to-last among the band's albums
Records
- Reached No. 6 in the UK, No. 2 in France and No. 3 in the US
- Certified platinum by the RIAA in November 1997
- Sold 1.1 million copies in the US as of January 2010
Sources: en.wikipedia.org
Trivia
- The first million copies came in a specially made filigree slipcase that made the lion on the cover look embedded in the design.
- Jagger told art director Stefan Sagmeister to find inspiration in Babylonian art at the British Museum.
- Sagmeister was most impressed by a Lamassu sculpture, and Kevin Murphy painted a similar Assyrian lion in an attack stance.
- The lead single's chorus resembled k.d. lang's 1992 hit 'Constant Craving', a problem Richards' daughter Angela pointed out.
- Drummer Charlie Watts relieved the tense sessions by working with percussionist Jim Keltner.
Sources: en.wikipedia.org
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